Poeme was composed in March 2011 and is based on 'Consider the Lilies of the Field' - a solo song by Armand Russell [RMS028], set to a poem by Christina Rossetti. The version for double bass includes one piano accompaniment and two separate bass parts - one in orchestral tuning and one in solo tuning.

The style is tonal and approachable, within a modern but accessible idiom, and the simple but supportive accompaniment provides a strong foundation above which the solo double bass weaves its lyrical and sinuous melodies. Lasting around 3 minutes, this would suit any audience or occasion and is typical of the player-friendly music by this much respected and performed American composer.

Poeme has been selected for Level 8 by MTB Exams (www.mtbexams.com)

Armand Russell was born in Seattle, Washington in 1932. He received the Bachelor of Arts and Master of Arts degrees from the University of Washington, with a major in music composition, and a Doctorate in music composition from the Eastman School of Music. He studied double bass with Leslie Martin, who played in the Seattle Symphony and Boston Symphony Orchestras, and at the Eastman School of Music with Oscar Zimmerman. His composition studies were with John Verrall and George McKay at the University of Washington, and with Bernard Rogers and Howard Hanson at the Eastman School.

Professionally, Armand Russell played double bass in many orchestras including the Seattle Symphony Orchestra, Boston Pops Tour Orchestra, Rochester Philharmonic and Civic Orchestras, and Honolulu Symphony. For five years he taught as a visiting Professor at the Eastman School of Music. From 1961 to 1994 he taught at the University of Hawaii Music Department and retired as Professor emeritus in 1994. While at the University of Hawaii he taught music theory, composition and double bass and also served as Chair of the Music Department for seven years.

Armand Russell has composed many works for double bass and also percussion, including solos, chamber music and concertos. Some of his most frequently performed works include Chaconne (Db/Pno), Buffo Set (Db/Pno), Harlequin Concerto (Db/Orch), Pas de Deux (Cl/Perc), Percussion Suite, Theme & Fantasia (Concert Band) and Suite Concertante (Tuba/Wind Quintet). He has also composed several works for choirs in recent years and has continued to write for the double bass alongside a growing body of chamber music and transcriptions.

Armand Russell's compositional style is confident and direct with a clarity of line and texture always to the fore. A modern, yet lyrical and accessible style, has created works which communicate equally to performers and audiences alike and he has made, and continues to make, a unique and valuable contribution to the double bass litereature throughout a long and successful career.

Recital Music is planning a celebration of Armand Russell's music at Bass-Fest in 2012 to celebrate the composers 80th birthday.